Shar Pei History

For connoisseurs of uncommon canines, there's no dog more fascinating than the Chinese Shar-Pei. The wrinkled pups look like they are enfolded in bristly blankets, and the hippo-faced adults are unique in the canine world. 

Their history matches their singular appearance -- the breed was all but destroyed by the Chinese Communist regime and was saved through the Herculean efforts of a handful of breeders in Hong Kong and some Americans intrigued with the look and character of the breed.

The Shar-Pei is an ancient breed from an ancient land, perhaps related to the smooth-coated Chow Chow and the Tibetan Mastiff. The breed developed in the southern provinces of China as a working companion of farmers and peasants who needed a cattle herder, guardian, and hunting helpmate. 

His loose skin, nettlesome coat, and small ears protected him in battles, characteristics that unfortunately gained him favor as a fighting dog.

During the Han Dynasty some 2000 years ago, traders opened China to the West and to mastiff-type dogs that outweighed the Shar-Pei and attracted the attention of fight promoters, so the breed's fighting career was cut short. The Shar-Pei returned to his peasant roots to guard hearth and home for several centuries. After World War II, Communism took over in China, and dogs were considered a luxury that took food from the mouths of babes. Taxes on pets thinned their ranks, and by 1950, the breed was in big trouble.

Somewhere along the way, a few breeders in the British colony of Hong Kong acquired a few of these Chinese Fighting Dogs. Matgo Law was one such fancier of the wrinkled dogs, and in 1973 he and fellow breeder C.M. Chung began a campaign to save the breed with a plea for help in Dogs magazine.

Americans responded wholeheartedly and almost too well -- the Shar-Pei became a fad in the early years in the US, with pups selling for thousands of dollars and breedings done without concern for temperament, health, or structure.

A handful of Shar-Pei came to the US prior to Law's effort, but the breed was neither promoted nor developed. Chung and Law received more than 2000 responses to their appeal, and they began to send puppies to selected breeders in this country. Several of these early breeders formed the Chinese Shar-Pei Club of America to form a breed standard and work together to preserve the breed.

The Chinese Shar-Pei gained entrance to the American Kennel Club miscellaneous group in 1988 and became a full-fledged member of the non-sporting group in October, 1991. The breeds numbers have increased substantially from that first cry for help; in 1994, more than 15 thousand individuals and 6600 litters were registered, placing the dog 25th in popularity of 137 breeds.

 

Photos taken personally by T.Eric Omura from the Panyu museum. These pictures shows the existence of the Shar-pei from the Han Dynasty, over two thousand years ago. The location where the statues were is actually very close to the Dali and this confirm the place of origin for the Shar-pei.  And as we know from the latest DNA test analyze in Sweden and America, for the breed, thes har-pei is confirmed to be among the first dogs evolved from the wolf.

DAJBOG , DazdBog, Dazbog is also a Giver-God

   DazBog is a god of the Sun, flame and rain. Dazbog is also Giver-God  .

The first part of the name is “daj” – a form of the verb to give, while the second part “Bog” means God. But what did DazBog actually give? It is possible that giving refers the Sun and sunlight which is essential for many natural processes. The Sun was also very important to the Slavs. It was the source of life and was always considered to be a positive force. The Sun gave life to the Earth, and the god who gave it was therefore DajBog. DazBog actually stands for the Sun disc.
            In all surviving medieval texts concerning the Slavs, Dazbog is always mentioned at some point. His name was written down by Roman, Greek and Russian chroniclers who wrote about old Slavic creed. Helios from Greek texts was translated into Slavic as Dazbog. In the Malalin manuscript dating from the 6th century Helios was also translated as Dazbog. The Russian translator tried to tell a story set in Egypt, but he substituted Greek gods for Slavic. Dazbog is also mentioned in the Spanish Code, an epic telling about Igor’s quest and many other things. Vladimir the Great put statues of seven gods in front of his palace in Kiev, and among them was Dazbog’s statue.
           

To a family he was a protector of the house’s fireplace and its fire, man’s basic necessity for survival during the winter, and an indispensable help in performing everyday work. But flames could be cruel and turn against men, and take them to the underworld or destroy their property. Flames’ benevolence was crucial to survival, and many rituals were therefore related to them.
            DazBog was definitely the god of rain, too. One of his names was DazdBog, and “dazd” in many Slavic languages means rain (Slovak, Czech, Russian, Polish…). The rain was important because harvests depended upon it. In times of drought many rain invoking rituals were performed.
            We know that the Slavs addressed their gods as their equals and that they considered themselves gods’ descendants. To be more precise, they thought of themselves as Dazbog’s grandchildren, or his lineal descendants. DazBog was one of Svarog’s sons. It is not certain how many sons Svarog had, but Dazbog was almost beyond doubt one of them. Some authors mention only two – Svarozic and Dazbog (Vyacheslav Vsevolodovi and Vladimir Toporov), while others mention Perun, Svetovid, Dazbog and Veles as Svarog’s sons, and they refer to all of them as a group - “svarozici” (little Svarogs). Be that as it may, Dazbog appears in every combination.
           

During the day, the Sun was in the sky giving out light, while at night it was in the underworld. Actually, every morning DazBog would set out on the journey across the sky riding a white horse or riding in a carriage, and in the evening he died or went to the world of the dead, only to come to life again next morning. 

The Serbs more than any other people imagined Dazbog as a lame old man, dressed in animal skins, usually bear skin, accompanied by a wolf. The wolf actually stands for his animal incarnation, or his primary shape that did not cease to exist after Dazbog turned anthropomorphic. The wolf became a servant, and often a messenger as well. Although his basic form was anthropomorphic, Dazbog frequently changed his shape, and his earliest wolf form remained his symbol. As the Serbs considered themselves his descendants, the wolf became a sacred animal. In one catalogue of peoples, it is recorded that the Serbs were descendants of the wolf. “Saracen is descended from the boar, Turk from the snake, Tatar from the hound, Serb from the wolf, Bulgarian from the bull, Aleman from the eagle…”

            The belief in the power of the Sun was extremely strong among the Slavs. Cajkanovic claims that Dazbog was the supreme god of the Serbs. This is supported by the fact that a Slavic festivity dedicated to the invincible Sun coincides with Christmas Day. Since this holiday was impossible to uproot, it was simply substituted by a similarly important Christian one.
            Upon conversion to Christianity demonic characteristics were attributed to Dazbog. He became the most powerful of the demons and the main opponent of the Christian God. This was possibly due to his appearance of a lame one-eyed old man, dressed in dark bear skin, dwelling in the underworld quite often. We can however opt for the possibility that this was due to the power of Dazbog’s cult that was to be eliminated at all costs. Dazbog’s characteristics were later in Christianity transferred to St Sava, who was also presented in folk tales as a shepherd followed by a wolf. St Sava is also a giver in those tales.

SEMARGL - Winged wolf

Semargl or Simargl is a deity or mythical creature in East Slavic mythology, depicted as a winged lion or dog. An idol of Semargl was present in the pantheon of Great Prince Vladimir I of Kiev. It may be the equivalent of Simurgh in Persian mythology which is also represented as a griffin with a dog body.